Agua Dulce examines identity drawing from the cultural, political, and emotional landscapes of Panamá and life in the U.S. These works use layered abstraction, spray paint, drips, and gestural mark-making to evoke water as a metaphor for memory, migration, and renewal. Figures surface and recede, suggesting cycles of visibility and erasure, presence and absence. The collection reflects a state of becoming—shaped by movement, history, and the tension between belonging and displacement.